Gianna Maria Gatti’s book The Technological Herbarium (subtitled: “Vegetable Nature and New Technologies in Art Between the Second and Third Millennia”) is a study of interdisciplinary works of art that exemplify the increasing importance of science and technology in artistic creation. Her analysis, however, goes beyond that of a journalistic or curatorial survey of artworks. Her work embodies the invention of a strong philosophical concept that enables the glimpsing – in the coming together of nature and new technologies in the domain of art – of a new real. The hybrid of art and technoscience is the carrier of a new worldview, a new era for cyberspace, new cognitive thought and cybernetic epistemology, and the emergence of authentic post-metaphysical thinking as pointed to by twentieth-century philosophers like Martin Heidegger, Jacques Derrida, Maurice Merleau-Ponty and Gregory Bateson.